
Ali Cook’s The Pearl Comb is an arresting, atmospheric short film that transcends genre boundaries, part gothic mystery, part historical drama, and wholly cinematic poetry. Set in 1893 England, it tells the story of a fisherman’s wife who performs an impossible act, curing a man of tuberculosis. What unfolds is a spellbinding battle between science and the…

Oscar-qualified and already decorated on the festival circuit, Liz Rao’s The Truck arrives with the urgency of a headline and the intimacy of a diary entry. Set against the volatile backdrop of post-Roe America, the film follows a Chinese American teen and her boyfriend on a deceptively simple mission to buy the morning-after pill, a task that…

There are films that move you and then there are films like Holy Curse, that reshape the way you see the world. When I first saw Snigdha Kapoor’s Holy Curse at a packed festival screening in Seattle, the theater was silent by the time the credits rolled. Not the kind of silence that follows polite applause. Its one that stunned,…

Hedda Mjøen’s scintillating debut, MERCY, plunges viewers into the uneasy space where friendship collides with ethics. The story centers on Guro and her estranged friend Petter, who has been accused of multiple counts of rape – charges which he adamantly denies. When Petter invites her to dinner, Guro is forced into a delicate moral crossroads,…