Beck Williams’ Cleveland selected Pace delivers on multiple fronts, delivering a triumphant study of trans-identity, queer relationships and self-acceptance. This powerful short follows Remy (Williams), a transmasculine boxer grappling with dysphoria. When Joey (Bex Taylor-Klaus), a trans man post-transition, returns to training at Remy’s local boxing club, Remy invites him to train together after hours, forging a bond that becomes a sanctuary for both their respective challenges.
Stemming from Williams’ own personal experiences as a transperson, Pace offers a nuanced portrayal of dysphoria and the trans experience. The film does a phenomenal job in emphasizing the resilience and support within the LGBTQ+ community without shying away from the complexities and pain associated with process of transitioning. The struggles between Remy and their partner Vanessa are depicted with great sincerity and intelligence, allowing the audience to empathize with both their points of view without judgement.
Williams and Taylor-Klaus are captivating in their respective roles and share palpable chemistry with each other. They embody their characters wholeheartedly, likely informed by their personal experiences, and their dialogue feels refreshingly natural and organic. The setting of the boxing gym is also an astute choice. The sport, often seen as a traditionally masculine pursuit, presents the perfect backdrop for the characters to explore their physicality and their connection between mind and body.
The setting of the boxing gym is an astute choice
Pace is a knockout short that succeeds in all aspects. It is compelling, heartfelt and handles its themes with a delicate but confident touch. Written, directed and starring Williams, the film is an explosive introduction to this transgressive talent and I can’t wait to see what comes next from them.
Pace is a knockout short that succeeds in all aspects
Brian Cotter
